Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.

Author: Karr Akikinos
Country: Tajikistan
Language: English (Spanish)
Genre: Politics
Published (Last): 8 August 2012
Pages: 173
PDF File Size: 19.39 Mb
ePub File Size: 8.26 Mb
ISBN: 250-8-36781-475-3
Downloads: 76381
Price: Free* [*Free Regsitration Required]
Uploader: Tojat

It consists of the forces Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:.

The fanfare proceeds into the high register where the piece concludes on a fortissimo high B-natural with an E major chord in the piano. Titles with no bracketed numbers are assumed to use “Standard Instrumentation.

The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. Letters that are duplicated as in A in this example indicate multiple parts. Choral, Cadence et Fugato.

Choral, Cadence et Fugato, for trombone & piano

The cadenza features a dramatic piano tremolo over which the trombone plays phrases of increasing intensity. Choral, Cadence et Fugato is a beautiful work for fufato advanced player. Alphonse Leduc,piano score and solo part.

The fugue theme, first stated in the low register of the piano, is angular and rhythmic. Whenever this occurs, we will separate the first four digits with commas for clarity.

David Vining, assistant professor of trombone at the University of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages.

Choral, Cadence et Fugato, for… | Details | AllMusic

Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece cacence it is the required work for one of the age groups. In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. Dutillehx 3 – MacKenzie: After some development of these ideas the fugue theme is stated in augmentation in the piano, over which the trombone plays a virtuosic fanfare figure.


The second example is common for a concert band or wind ensemble piece. This system lists Horn before Trumpet. String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: The bracketed numbers tell you dktilleux precise instrumentation of the ensemble.

In the third example, we have a rather extreme use of the system. The numbers represent only distinct parts, not the number of copies of a part. Vining has appeared as fugaot soloist and clinician nationwide and as a guest artist at many conferences. The first set of numbers before the dash represent the Woodwinds. The Beethoven example is typical of much Classical and early Romantic fare.

Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano

Woodwind Instrumentation Codes Following many of the titles dt our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming. Instruments shown in parenthesis are optional and may be omitted.

Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ]. The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn.

Students who are new to this work are in for a challenge and will find much to like about this piece, especially upon discovering the interpretive possibilities throughout the work. The system used above is standard in the orchestra music field. The first number stands for Violinthe second for Violathe third for Celloand the fourth for Double Bass. As the title suggests, Choral, Cadence et Fugato is divided into 3 distinct sections although the sections segue smoothly from one to another. Note also that the separate euphonium part is attached to trombone with a plus sign.


The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush piano dutipleux. Sometimes there are instruments in the ensemble other than those shown above. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoons dutilleu, and there are two each horns and trumpets.

For orchestral music, saxes are at the end see Saxophones below. The composite rhythm of these two ideas together should make a stream of straight sixteenth notes.

Dutilleux Chorale, Cadence & Fugato

Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Brass Instrumentation Codes Following many of the titles in our Chorql Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: Other Required and Solo parts follow the strings: This is standard orchestral nomenclature.

Grade 6 – Advanced Price: There is no low brass. Choral, Cadence fadence Fugato.

The bracketed numbers tell you how many of each instrument are in the ensemble. The accompaniment foreshadows the fugue theme between each phrase and the trombonist is provided ample opportunity to put a personal spin on each phrase.

The set of numbers after the dash represent the Brass. Sometimes strings are simply listed as “str,” which means strings.

Multiples, if any, are not shown in this system. It is a well crafted virtuosic piece from the French repertoire deserving of more attention from trombonists looking for something substantial to include on a recital.

Author: admin